From County Kildare, master uilleann piper Liam
O'Flynn was born into what he describes as "a very definite thing."
His father was a schoolmaster and fiddle player and his late mother,
who played and taught piano, came from a family of famous musicians
from Clare. And so, with the likes of Junior Crehan in the background,
not only was the house full of music but the young O'Flynn was keenly
aware at an early age of his rich tradition and lineage.
After a time on the tin whistle and
a short spell 'scraping' at a small violin, Liam finally got started
on the uilleann pipes. He had an obvious gift for this most stubborn
and complicated of instruments, and was encouraged by all around
him, notably by the Kildare piper Tom Armstrong. It was clear from
an early age, that a great piper was in the making and for Liam,
eager to learn, there was that steady feeling of getting better
almost by the day. At the age of eleven, master-classes began in
earnest with Leo Rowsome.
The lore of the piper is endless and
weighty, and pipers themselves are entirely conscious of the power
of their craft. As the young Liam began to meet legendary figures
like Willie Clancy and Seamus Ennis, he became acutely aware of
his position in the scheme of things. His subsequent close friendship
with Seamus Ennis (which began as a Master/pupil situation) taught
him that there was much more to being a piper than playing tunes.
As Liam puts it, "Seamus Ennis gave me much more than a bag of
notes."
In
his teens, Liam and his pipes began to attend music 'seisiuns' in
the Kildare village of Prosperous. Here, for the first time, he met
many of the people with whom he would later make his name and tour
the concert-halls of the world. These were musicians like Christy
Moore, Donal Lunny and Andy Irvine with whom, in the early seventies,
Liam formed the legendary Planxty. One of Ireland's most important
and influential groups, Planxty brought a style, innovation and 'cool'
to Irish music which was to lead directly to the many Irish musical
success stories during the decades that followed.
But
behind the innovation and experimentation Liam O'Flynn has always
managed to remain true to the great piping tradition. He has taken
his instrument into previously unexplored territory - be it as a
member of Planxty, as a soloist with an orchestra or working with
artists as diverse as John Cage, The Everly Brothers, Van Morrison
and Kate Bush. But whatever the situation, he has remained resolutely
true to the music itself. And it's precisely this mix of credibility
and durability which makes Liam O'Flynn one of our greatest musicians
and someone long regarded among his peers as Ireland's Master Uilleann
Piper.
"I always imagine," Liam says,
"that it must have been extraordinary when the pipes were first
developed in the eighteenth century - a whole new instrument and
here's a fellow coming around to the local fair with this amazing
instrument with extraordinary sounds and inbuilt accompaniment.
It became an 'in' instrument that very quickly occupied prime position
in the tradition and people of all stations took to it. The big
houses took to the instrument and they had their own resident pipers.
Then you had the traveling pipers who played at all sorts of outdoor
happenings and they evolved a different style that was very immediate
and quite open and spectacular. I suppose the whole idea of power
was attached to people who played such an extraordinary instrument."
Liam
is always searching for new arenas in which to take the pipes. With
Mark Knopfler he performed the score to the movie Cal. Other movie
scores include The Field, A River Runs Through It (with Elmer Bernstein),
Kidnapped, and Roses from Dublin (with Vladimir Cosma). No stranger
to playing with orchestras, Liam had already achieved an international
audience when he recorded The Brendan Voyage with Shaun Davey, a
groundbreaking orchestral piece which was followed in later years
by three other Shaun Davey works, Granuaile, The Relief of Derry
Symphony and more recently The Pilgrim. He had successfully brought
the pipes into the greatest concert halls in the world and introduced
its unique sounds to audiences and musicians everywhere.
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Seamus &
Liam
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Other regular collaborators include Catherine Ennis,
daughter of Seamus Ennis and Nobel Laureate Seamus Heaney with whom
Liam has performed in auditoriums around the world including Dublin's
famous Gate Theatre, the Barbican Centre in London and the Lincon
Center in New York.. They first performed together over 10 years
ago in a small church in Kenmare, Co Kerry and regularly perform
together in small intimate venues. Heaney says of the experience,
" I have a strong sense of pleasure and pride in sitting beside
a piper of Liam's mystery. The pipes call and raise the spirit.
They also quieten and open up the daydream part of people."
For Liam too, playing the pipes is
a very special experience. "When I'm playing," he says,
"I'm certainly lost within it. The only way to describe it,
is that it's like looking inwards. I think when a performer engages
with the audience, and vice versa, it's like a spell is cast and
a terrific passage of feelings moves from the musician to the
audience and back again."
Liam
O'Flynn has made over fifty recordings. Among his most recent
albums are Out To An Other Side, The Given Note and, most recently,
The Piper's Call. With the formation of The Pipers Call Band,
a special video was made with guest appearances by Carlos Núñez,
The Irish Chamber Orchestra, Sean Keane and Matt Molloy of The
Chieftains and Mark Knopfler. The Band features top musicians
like Arty McGlynn, Rod McVey and Steve Cooney. Video clips
of Liam from 'The Piper's Call' are now available on our Video
Page.
In 1999, Liam was at the heart of
a very unique performance at London's Royal Albert Hall. For the
very first time there was a special evening devoted to Irish music
as part of the BBC Proms and it was Liam and the Piper's Call
Band who were chosen for this quite momentous event. They were,
as ever, rapturously received. But whatever the arena, Liam O'Flynn
remains a gentle and modest soul. Whatever the occasion, a 'seisiun'
in Prosperous or the inauguration of a President, his mind is
focused on just one thing. "You're after something in the tune,"
he says, " and, at the end of the day, you are just the servant
of the music."
In 2000 Liam was awarded the Gold
Insignia of the University of La Coruna, in Galicia, Spain, for
his contribution to the Arts. On October 25th 2002, Liam
performed the world premiere of his first solo major musical composition
'Endurance' to honour polar explorer Earenst Shackleton. Endurance
was specially commissioned by the Athy heritage Centre and supported
by the Arts Council of Ireland and the Bank of Ireland.
On March 15th 2003, Liam appeared at one of Europe's
newest and largest festivals, 'Celtique Nuit' with the Lorient
Festival orchestra . The Festival took place in the Stade de France
in Paris. The concert also featured Liam's good friend Carlos
Nunez as well as Alan Stivell and Sinead O'Connor. In June 2003
he took part in in the Opening ceremony of the Special Olympic
World Summer Games held in Dublin's Croke Park.
July 2003 saw the release of an album by Liam and
good friend Seamus Heaney. The album 'The
Poet and the Piper - Keeping Time' was released on the Claddagh
Label.
2004/05 has seen Liam team-up again with the original
Planxty members, Christy Moore, Andy Irvine and Donal Lunny for
a number of high profile concerts. 2007 saw Liam receiving The
TG4 Gradam Ceoil Award for Musician of the Year.
Get Liam O'Flynn recordings online
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