For
over twenty years, since his early days with Planxty, to such notable
works as 'The Brendan Voyage' and 'Granuaile', to a string of successful
solo albums Liam O'Flynn has been acclaimed throughout the world as
the greatest living exponent of the uilleann pipes. Now with his latest
album "The Given Note" he once again asserts his mastery of
his chosen instrument.
In his search for a suitable title for the album Liam
consulted with his good friend Seamus Heaney, from whom he received
the title of his last album "Out To An Other Side'. Seamus, winner
of the 1995 Nobel Prize for Literature, not only supplied the title
'The Given Note' from his poem of the same name, but also wrote
a fine tribute to Liam which can be found in the sleeve notes of
the album.
On The Given Note Liam has explored the full scope
of the uilleann pipes using four different sets of pipes (Concert,
B, Bb and C). Accompanying Liam on this album are some of Ireland's
finest musicians in Steve Cooney on guitar, didgeridoo and bass,
Arty McGlynn on guitar, Rod McVey on keyboards and Noel Eccles on
percussion, who together provide a perfect platform for Liam's superb
pipe playing.
Long time friends Paul Brady and Andy Irvine lend
their considerable talents with their renditions of 'The Rocks
of Bawn' and 'Come with me over the Mountain' respectively,
Sean Keane of the Chieftains joins Liam for some sets of tunes including
'Ag Taisteal Na Blárnan' (Travelling Through Blarney)
and the hauntingly beautiful slow air 'Cailín NA Gruaige
Doinne' (The Girl of the Brown Hair).
As Liam was anxious to include a Scottish dimension
on this album, he collected two Scottish sets of tunes, a stirring
stratspey 'The Smith's a Gallant Fireman' and Phil Cunningham's
'Farewell to Govan'. Liam travelled to Galicia, in the north
of Spain, where he spent some time with the group Milladoiro. Not
only did he bring back such exciting Galician tunes as 'Foliada
de Elviña' and 'Teño un Amor NA Montaña
/ Alborada - Unha Noite no Santo Cristo' but he also brought
three members of the band to help
make these tracks truly memorable.
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"It's no surprise that former Planxty member Liam O'Flynn
is quite adventurous on this solo album -- after all, Planxty offered
their own brand of adventure in making traditional Irish music relevant
for a new generation in the '70s. A master uillean pipe and whistle
player, O'Flynn's magic is apparent right from the first notes of
"O'Farrell's Welcome to Limerick," which daringly also includes
some growling bass and didgeridu. But it's not all instrumental
-- singer Andy Irvine performs beautifully on "Come With Me Over
the Mountain," (and also on the jig "A Smile in the Dark," which
he composed, and where he contributes mandolin). The album covers
the Celtic spectrum -- there's a Scottish piece from Phil Cunningham
("Farewell to Gavan"), which, while tasteful, veers perilously close
to Clannad-style new age Celtic, and even a taste of Galicia on
"Foliada De Elviņa." But it's obvious that the Irish selections
lie closest to O'Flynn's heart, especially "The Green Island/Spellan
the Fiddler," which he learned from his parents. Equally adept on
both his instruments, O'Flynn is a virtuoso who can dazzle on the
whistle with "The Rambler/The Aherlow Jig" and move with some wonderfully
lyrical phrasing on the slow air "The Girl of Brown Hair." Call
this an object lesson in the way this music should be played in
the 1990s." -- Chris Nickson - All
Music Guide
"The opening moments
of Liam O'Flynn's album 'The Given Note' are swept up in a gloriously
languid version of 'O'Farrell's Welcome to Limerick', a slip jig
where the Planxty style is updated for the 90's. Most of the music
here is a return to his traditional roots as in O'Rourke's, a trilling
set of reels and 'Joyce's Tune', a haunting slow air. A Galician
touch is added by the guest members of Milladoiro on three native
pieces. The album also includes Steve Cooney, Arty McGlynn, Sean
Keane and if that wasn't enough, Paul Brady turns in a stunning
'Rocks of Bawn' and Andy Irvine's "come With Me Over the Mountain'
tops it off."
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