Davy Spillane - Uilleann Pipes
Mairtin O'Connor - Accordion
Mel Mercier - Bodhran
Mairead Nesbitt - Fiddle
Rodrigo Romani - Harp
Xose V.Ferreiros and Nando Casal - Whistles and Galician
The RTE Concert Orchestra Leader, Alan Smale.
The Seville Suite and Dun Briste were composed, orchestrated and
produced by : Bill Whelan.
Timedance was arranged and produced by : Donal Lunny and Bill
The album was recorded by : Brian Masterson at Windmill Lane
Studios 1 and 3.
The Seville Suite was conducted by : Prionsias O'Duinn.
'Kinsale to La Coruna'
The Irish defeat at the Battle of Kinsale signalled the collapse
of the old Gaelic order. In its aftermath, the influence of the
great Chieftains was crushed, and the subsequent ''Flight of the
Earls'' effectively deprived the native Irish of leadership for
decades. The Seville Suite, which was commissioned by the Department
of the Taoiseach (Prime Minister) to commemorate Irelands involvement
in Expo '92 at Seville, was inspired by the exploits of ''Red''
Hugh O' Donnell, the Earl of Tirconaill - from the Battle of Kinsale
until his eventual arrival in Galicia to the celebratory welcome
of the Spanish Earl of Caracena.
The Suite begins with an orchestral evocation of the events at Kinsale
on Christmas Eve Morning 1601. The Irish troops surround the British,
who have recently besieged the town in an attempt to dislodge Don
Juan de Aguila and his Spanish garrison. On the face of it, the
Irish/ Spanish coalition are in a strong position, with Mountjoy's
army sandwiched between them. However, foul weather hampers the
Irish advance, and treachery robs them of surprise, with the result
that the battle is short and decisive - the Irish force broken and
in disarray, with much loss of life.
2. O'Donnell's Lament.
After the turmoil of battle, we hear a slow air, played on uilleann
pipes by Davy Spillane, which grieves for those slaughtered at Kinsale.
The tune is first played solo on the pipes, then taken up by the
orchestra, and reprised finally by piper and orchestra together.
3. Pedro de Zubiaur
A few Days after Kinsale, the Spanish commander, Pedro de Zubiaur
(Suryago) sails into Castlehaven Harbour to be greeted by Red Hugh
on the pier. Here O Donnell (Davy Spillane on low whistle) recounts
the sad events of the battle with its disastrous outcome, and resolves
to leave immediately for Spain. Unbowed by defeat, his intention
is to convince King Philip of Spain to grant him the reinforcements
necessary to continue to fight.
4. Fr. Conry's Jig
Among O'Donnell's party aboard de Zubiaur's ship is Fr. Florence
Conry. To pass the time on the long voyage, we imagine him playing
a shanty on the accordion (here performed by Martin O' Connor, with
Mel Mercier on bodhran). In the middle of a jig, O' Donnell interjects
to recall the events at Kinsale , but Fr. Conry's good humour prevails,
and the piece ends in high spirits, as the ship continues its hopeful
journey to Spain.
5. The Storm
The threatening string motif at the beginning of the next movement
is a sharp contrast to the jollity of Fr. Conry's jig , and prefigures
the storm to come. De Zubiaur and his passengers were indeed tossed
and buffeted by ferocious seas, and when they finally arrived, it
is reported that Red Hugh was very ill. A large wave signals the
end of the storm and the safe landfall as Asturias in Northern Spain.
6. The Coast of Galicia
From here the journey continues westward by road, and the beautiful
Galician coastline is evoked by Rodrigo Romani on Harp, joined by
Xose V.Ferreiros and Nando Casal on whistles. The strong connection
in style between Galician and Irish traditional music is very evident,
and it is worth noting that Senor Romani's harp is identical to
that used by his contemporary Irish counterparts.
7. The Road to La Coruna.
Red Hugh and his party are now almost at the end of their journey,
and we can imagine the excitement as they approach La Coruna. This
dance tune, played by Milladoiro with his orchestra, takes them
along the road, and anticipates the festive welcome that awaits
them as guests of the Earl of Caracena.
The heraldic brass fanfare announces the arrival of O' Donnell in
the great hall of the Earl of Caracena, after which the uilleann
pipes retell the sad outcome of the battle of Kinsale .The hosts
exhort their Irish guests to have faith in the continued support
of King Philip, and the suite ends with the union of Irish and Spanish
musicians in the celebratory toast to the successful conclusion
of their joint campaigns.
1. The Humours of Barrack Street.
3. The Ballymun Regatta.
In 1981, RTE commissioned Donal Lunny and myself to write a piece
of music which would be used as the centrepiece for their presentation
of Eurovision in that year. 'Timedance' was performed by Planxty
and subsequently released as a single. This 1992 re-recording affords
not only a pleasurable opportunity to reassemble most of those involved
in the original, but also a chance to have a new look at the treatment
- eleven years on. In the event, we decided to leave much as it
was, but there is a new arrangement of 'The Ballymun Regatta'.
Uilleann Pipes - Liam O'Flynn.
Bouzouki, Guitar, Bodhran - Donal Lunny.
Bouzouki and Mandolin - Andy Irvine.
Fiddle - Nollaig Casey.
Piano, Keyboards and Keyboard Percussion - Bill Whelan.
Strings - The Timedance string Ensemble Leader, Audrey Collins.
Dun Briste is the name of a remarkable column of a rock which is
situated off the North Mayo coast. It stands over 100 feet high,
and the legend is that Saint Patrick severed it from the main cliff
formation while furiously banishing one of his errant brethren.
More sober archaeological opinion puts its genesis as late as 1300
AD. It is nevertheless an unusual and dramatic landmark , and has
given me the title for this piece.
Whistle - Donal Lunny.
Keyboards - Bill Whelan.
Strings - The Timedance String Ensemble.
Special Thanks :
Bill Whelan would like to thank the following :
Keith Nolan for putting the wind in the sails. Prionsias O'Duinn
for his skill, sensitivity and commitment above and beyond - salut.
John Cook at Tara for operating blindfold and without a net. Brian
Masterson who, as ever, wears his ears on his sleeve. Des Moore
for his impeccable preparation of the music.
'Kinsale to la Coruna' is dedicated in memory of my father.
For each valued contribution, many thanks to JJ Vernon. John McColgan
. Denis Rafter and all at Irlanda Expo'92. Colm O'Meachair, Mary
Daly, Dr. Patrick Gallagher, Prof. Seamus Caulfield.
Paul Brady, Willie Mannion, Aidan Mc Govern, Phil Newport, Liam
Miller, Cathal McCabe.