||O'Farrell's Welcome to Limerick
||O'Rourke's, The Merry Sisters, Colonel Fraser
||Come with me over the Mountain, A Smile in the Dark
||Farewell To Govan
||The Green Island, Spellan The Fiddler
||Foliada de Elviña
||Ag Taisteal Na Blárnan (Travelling Through Blarney)
||The Rambler, The Aherlow Jig
||The Smith's a Gallant Fireman
||The Rocks of Bawn
||Cailín na Gruaige Doinne (The Girl of the Brown Hair)
||(a.) Teño un Amor NA Montaña
||( b.) Alborada - Unha Noite no Santo Cristo
To An Other Side
Brendan Voyage (boxset includes CD & Book)
The Break - PLANXTY
Woman I Loved So Well - PLANXTY
: Uilleann Pipes, Whistle
: Guitar, Bass Guitar, Digeridoo
: Synthesizers, Hammond Organ, Harmonium
: (Milladoiro) Harp
Xose V. Ferreirós
: (Milladoiro) Gaita (Galician bagpipes),
: (Milladoiro) Gaita (Galician Bagpipes),Clarinet
: Side Drums (Track 10)
: Vocals, Mandolin
: Vocals, Mandolin, Piano
Produced by: Shaun Davey
Executive Producer: John Cook
Recording Engineer: Brian Masterson
Additional Engineering (Tracks 8 & 13): Pearce Dunne
Assistant Engineers: Conan Doyle, Rob Kirwin
Recorded at: Windmill Lane Studios, Dublin.
1. O'Farrell's Welcome to Limerick
Also known by the Irish title "An Phis Fhliuch". This
is a very old slip jig and an especially fine piping tune. The tune
is played on the 'flat' set of pipes (Bb) and this, combined with the
style of accompaniment which includes Steve Cooney on didgeridoo, underlines
the inherent earthiness of the tune.
2. O'Rourke's, The Merry Sisters, Colonel
These three reels take me back to my time as a pupil of Leo Rowsome.
As well as being my first pipes teacher, Leo made my first 'practice'
set of pipes and since then I have always played a Rowsome set of pipes.
So in fact Leo has been literally part of my music-making from
the beginning. I remember him with great affection and owe him a very
great debt of gratitude.
3. Come with me over the Mountain, A
Smile in the Dark
Here is a typically fine song from Andy Irvine, with Andy in especially
good form. The jig "A Smile in the Dark" that follows the
song was composed by Andy and it 'fits' the pipes very nicely.
4. Farewell To Govan
This tune was composed by Phil Cunningham as the theme for Bill Bryden's
Glasgow stage production of "The Big Picnic". It is one of
several which Phil very kindly sent to me while I was preparing material
for this album.
5. Joyce's Tune
The original title of this tune is "An Speic Seoigheach".
The meaning of the word Speic is obscure but apart from "Joyce's
Tune" the title has been translated as "The Cry of the Joyce"
and also "The Joyce's Country Greeting". The air was collected
by Edward Bunting at Ballinrobe, County Mayo in 1792.
6. The Green Island, Spellan The Fiddler
These two hornpipes I will always associate with home and my parents,
where I first heard them.
7. Foliada de Elviña
A 'Foliada' is a traditional Galician dance rhythm. This tune which
comes from Elvina, originally an old Celtic town now on the outskirts
of A Coruna, dates from around the beginning of the 20th
8. Ag Taisteal NA Blárnan (Travelling
Tradition has it that the great 18th century poet Eoghan Run O'Suilleabhan,
was working as a spailpin ( migrant farm labourer) for a farmer near
Blarney, Co. Cork. One day, on hearing the people of the house discussing
poetry, he offered an opinion and was laughed at. To prove his point
Eoghan composed the poem "Ag Taisteal NA Blarnan" with complex
metric and rhyming patterns to fit the existing tune "Staca An
Mharaidh". This is the tune we have here. The original title "Staca
An Mhargaidh" ( The Market-place Idler) is not the most charming
title for such a beautiful tune! I am very grateful to Eamonn Brophy
for the background information to this tune.
9. The Rambler, The Aherlow Jig
These are two double jigs. The character of the first is ideally
suited to the tin-whistle while the second is a natural piping tune.
10. The Smith's a Gallant Fireman
This is a four part Scottish strathspey which Sean Keane introduced
me to some years ago. The side drums are played by Ciaran Mordaunt and
the effect I find very exciting indeed.
11. Romeo's Exile
A Shaun Davey piece composed for the Royal Shakespere Company's
1995 production of "Romeo and Juliet".
12. The Rocks of Bawn
The tune of this song is an old version which I heard Willie Clancy
play many times. Paul Brady's inimitable interpretation gives this song
a new lease of life.
13. Cailín NA Gruaige Doinne
(The Girl of the Brown Hair)
This version of the slow air I learnt of from the singing of the
Brendan Begley from Baile Chnocain in Co. Kerry. The song tells of a
young peasant farmer who falls in love with a beautiful girl whom he
can never have.
14. (a) Teño UN Amor NA Montaña
This is a tune form a traditional Galician song, the title of which
means "I have a Love in the Mountains".
14. (b) Alborada - Unha Noite no Santo Cristo
As with the Foliada, Alborada (meaning 'Sunrise') refers to a traditional
Galician rhythm. Tunes of this name are traditionally performed on the
mornings of Fiestas. The rest of the title translates as 'One Night
in Santo Cristo', and the tune comes from the RIAS BAIXAS region of
Galicia. These two tunes, along with Foliada de Elvina, come from the
repertoire of Milladoiro.
There has always been a classical quality
about Liam O'Flynn's playing, a level, confident strength: you feel
that he is unshakably part of a tradition. But there is something up
and away about his style, a sheer delight in his own personal impulse.
His great stature as a piper turns out to be one more instance of the
truth of Oscar Wilde's paradoxical law that in art the opposite is also
true: in other words, behind these tunes you can hear freedom as well
as discipline, elegy as well as elation, a longing for solitude as well
as a love of the seisiun.
On the occasions when I have shared a programme with Liam, I have always
felt strengthened by being within his piper's field of force, in touch
with a deeply intuitive and sympathetic nature. In fact, my sense of
him is well summed up in a couple of lines form the poem which provides
the title for this disc: He strikes me as one of those fulfilled spirits
who have "gone alone into the island/ And brought back the whole
thing". In The Given Note we hear a master at ease in his
art, taking pleasure in the sheer act of music-making, on his own and
with his peers. This is work that lifts the heart.
ON THIS THE 25th ANNIVERSARY OF HIS DEATH,
THIS ALBUM IS DEDICATED TO LEO ROWSOME(1903-1970) WHOSE CONTRIBUTION
TO IRISH TRADITIONAL MUSIC, AND TO THE UILLEANN PIPES IN PARTICULAR,
Nicholas Carolan and Glenn Cumiskey of the Irish Traditional Music
Archive, Mick O'Brien, Alan Froment, Eamonn Brophy, Michael Copeland,
Martin Carrigan, Dr. Rionach ui Ogain of the Dept. of Irish Folklore
U.C.D., and to Seamus Heaney for the kind words and another fine title.